Twoism was an album released by Boards of Canada on their own Music70 record label in 1995. It was a self-financed cassette and record distributed privately. Major public releases would not happen until 1996's Hi Scores EP on Skam Records. This album was, however, the work which got them noticed by Skam Records. In 2002, this album was reissued on vinyl and CD by Warp Records.
There are differences between "Sixtyniner" on this album and other releases. (Boards of Canada have often re-released early songs on later, more popular releases, sometimes with changes.)
Before Twoism was re-pressed years later, it was a highly sought-after item, being pressed only about 100 times. It would often be exchanged from one person to the next for around £800 (US$1500).
Twoism is the only widely-available Boards of Canada release with early third member Chris Horne, who was credited (as Chris H.) on the original release. However, his name was omitted on the 2002 Warp re-released version, making the nature and extent of his contributions unclear.
The channels are reversed on the CD reissue compared to the original vinyl EP. This can also be noted on the tracks "Seeya Later" and "Smokes Quantity", which have the channels reversed compared to their appearances on Hi Scores and Music Has the Right to Children respectively.
"Smokes Quantity" includes the hidden track "1986 Summer Fire" at the end.
The album cover is taken from the 1980 film The Killings at Outpost Zeta.
The first pressing of the CD from Warp Records was on a black CD, similar to original PlayStation discs, and included a sticker with the yellow Boards of Canada logo on it. The barcode on the CD's digipack was also an easily removable sticker.
Category:Boards of Canada albums
uk:TwoismThis text has been derived from Twoism on Wikipedia and is licensed under the Creative Commons Attribution/Share-Alike License 3.0
Boards of Canada (commonly abbreviated BoC) are a Scottish electronic music duo consisting of brothers Mike Sandison (born June 1, 1970) and Marcus Eoin (born July 21, 1971). They are signed with Warp Records and have released several works on that label with little advertising and few interviews, while also having an elusive and obscure back-catalogue of releases on their self-run Music70 label. They have also recorded four tracks under the alias Hell Interface.
Boards of Canada's music is reminiscent of the warm, analogue sounds of 1970s media and contains themes of childhood, nostalgia and the natural world. Mike and Marcus have mentioned the documentary films of the National Film Board of Canada, from which the group's name is derived, as a source of inspiration.
Early years (1986–1995)
Growing up in a musical family, brothersHoffmann, Heiko. "" (Sep 2005) Mike Sandison and Marcus Eoin began playing instruments at a young age. They experimented with recording techniques at around the age of 10, using tape machines to layer cut-up samples of found sounds over compositions of their own. In their teens they participated in a number of amateur bands; however, it was not until 1986 when Marcus was invited to Mike's band that Boards of Canada was born. By 1989, the band had been reduced to Sandison and Eoin.Campbell, Peter I. and Goderich, S. "" (Sep 1998), Matador Records. Retrieved on 2006-03-23. In the early 1990s, a number of collaborations took place and the band put on small shows among the "Hexagon Sun" collective.
In early 2000, the website for the band, , removed the early discography of Boards of Canada, although some information has been preserved by fans. Early tape releases by Boards of Canada include Play By Numbers, Acid Memories, Hooper Bay, and the earliest known release by the band is titled Catalog 3. None of the material from those days is readily available, and since official Boards of Canada sources ignore the existence of this material, there seems to be little chance for this early material ever to resurface.
From Twoism onwards (1995–present)
In 1995, the band made their first Hexagon Sun studio release, the EP Twoism. Like earlier Music70 releases, it was produced in a self-financed limited run and was privately distributed, primarily to friends and labels. Unlike previous releases, however, a small number of copies were also released to the public through the IDM mailing list. Though not a widespread commercial release, it was considered of sufficient quality and worth to be subsequently re-pressed in 2002. The band made another release in 1996; titled Boc Maxima, it was a semi-private release that was notable for being a full-length album, and was the precursor to Music Has the Right to Children, with which it shares many tracks.
Boards of Canada's first commercial release occurred after attracting the attention of Autechre's Sean Booth, of the English label Skam Records, one of many people sent a demo EP. Skam issued what was considered Boards of Canada's first "findable" work, Hi Scores, in 1996. Music has the Right to Children was subsequently released in 1998. John Peel featured Boards of Canada on his BBC Radio 1 program in January of that year. The session featured two remixes from Music Has the Right to Children — "Aquarius (Version 3)" and "Olson (Version 3)" — along with the tracks "Happy Cycling" and "XYZ". Excluding "XYZ", the set was released on a Warp Records CD titled Peel Session TX 21 July 1998.
Though never an actively touring band, Boards of Canada did perform a handful of shows. Early shows saw them supporting Warp labelmates Seefeel and Autechre in a handful of UK dates. They also participated in a few festivals and multi-artist bills, including two Warp parties: Warp's 10th Anniversary Party in 1999, and The Incredible Warp Lighthouse Party almost one year later. They made their most prominent showing in 2001 as one of the headliners at the Tortoise-curated All Tomorrow's Parties festival. They have not performed a live show since.
The band released a four-track EP, In a Beautiful Place Out in the Country, in November 2000, their first original release in two years. The LP edition was pressed on sky blue vinyl. A full-length album, Geogaddi, was then released in 2002. It was described by Sandison as "a record for some sort of trial-by-fire, a claustrophobic, twisting journey that takes you into some pretty dark experiences before you reach the open air again."http
Their third album for Warp Records, The Campfire Headphase, was released on 17 October 2005 (18 October in the United States). The album featured fifteen tracks, including "Peacock Tail", "Chromakey Dreamcoat," and "Dayvan Cowboy". Two versions of "Dayvan Cowboy" — the original and a remix by Odd Nosdam — are on the six-track EP, Trans Canada Highway, which was released on 26 May 2006.
In late 2009 the Warp20 (Recreated) compilation featured two BoC covers, one by Bibio of their song "Kaini Industries" and one by Mira Calix of "In a Beautiful Place Out in the Country". Warp20 (Recreated) is part of the larger Warp20 boxed set, which also includes two previously unreleased Boards of Canada tracks, "Seven Forty Seven" and a 1.8 second sample of "Spiro".
Sound and methods
BoC's sound is a product of their use of analog equipment, mix of electronic and conventional instrumentation, use of distorted samples as well as live and recorded lyrics, and their layering and blending of these elements.Pytlik, Mark. "" (Feb 2002), HMV magazine. Retrieved on 2007-02-20.Micallef, Ken. "" (Jul 2002), Remix magazine. Retrieved on 2007-02-20. Their avoidance of a purely synthetic sound gives their music a warmer, emotive quality often meant to inspire nostalgia. This is helped by the use of samples from 1970s television shows and other media prevalent in the era of the brothers' shared childhood, especially the nature-inspired documentaries produced by the National Film Board of Canada.
Brief interludes or vignettes feature prominently in BoC's music. Such songs are often weaving melodies or speech accompanied by atmospherics to capture a specific moment or mood. They often last less than two minutes, but, as BoC state, "we write far more of than the so-called 'full-on' tracks, and, in a way, they are our own favorites". BoC have written an enormous number of such fragments as well as full-length tracks, most of which have been held back from release. It does not appear that their music is made exclusively for commercial release; rather, albums seem to be the result of selecting complementary songs from current work. For instance, Geogaddis development allegedly involved the creation of 400 song fragments and 64 complete songs, of which 22 were selected (possibly 23, if the final track of complete silence is included). Says Marcus: "The idea of the perfect album is this amorphous thing that we're always aiming at the whole point of making music is at least to aim at your own idea of perfection."
Interviews with the Sandison brothers provide some insight into their creative inspiration. They have cited several acts that have influenced their work, including Joni Mitchell, The Incredible String Band ("we have all the String Band records our rural sensibilities are similar"),Poolman, Koen. "" (Mar 2002), OOR magazine. Retrieved on 2007-02-20. The Beatles (" really became enthralling to us through their psychedelism")Kyrou, Ariel & Leloup, Jean-Yves. "" (Jun 1998), Virgin Megaweb magazine. Retrieved on 2007-02-20. and My Bloody Valentine ("even if we don't sound like them, there's a connection in terms of the approach to music").Hoffmann, Heiko. "" (Sep 2005), Pitchfork Media. Retrieved on 2007-02-20.
They have also expressed a strong interest in the power of subliminal messaging and their work is full of cryptic messages,Diddy, Mikey P. "". Retrieved on 2006-03-23. including references to numerology and cult figures such as David Koresh of the Branch Davidians, amongst other vague hints.Brown, Colin. "". Retrieved on 2006-03-23. When questioned about their aims in making such references, BoC express themselves in neutral terms ("We're not religious at all and if we're spiritual at all it's purely in the sense of caring about art and inspiring people with ideas.") while remaining fascinated with the ability of music to influence the minds of others (" do actually believe that there are powers in music that are almost supernatural. I think you actually manipulate people with music...").Nicholls, Steve. "" (Mar 2001), XLR8R Issue 47. Retrieved on 2007-02-21.
* 1995: "Twoism" - (Music70)
* 1996: "Hi Scores" - (Skam)
* 1998: "Aquarius" - (Skam)
* 1998: Music Has the Right to Children – (Warp/Skam) #193 UK
* 1999: Peel Session TX 21/07/1998 (Warp)
* 2000: In a Beautiful Place Out in the Country – (Warp/Music70)
* 2002: Geogaddi – (Warp/Music70) #21 UK
* 2005: The Campfire Headphase – (Warp) #41 UK
* 2006: Trans Canada Highway (Warp)
Old Tunes and other oddities
Supposed early Boards of Canada recordings have been found online, claiming to be original tracks from Catalog 3, Acid Memories, Hooper Bay and other pre-Twoism albums. All unreleased albums are presumed to be inauthentic BoC recordings, with the exceptions of Boc Maxima and the Old Tunes tapes.http It should be noted, that while the Old Tunes tapes are believed to be authentic, mostly due to the inclusion of very similar tracks found elsewhere on official releases, there has never been any official recognition of their authenticity.
Many Boards of Canada tracks are used in the BBC's motoring show, Top Gear, such as 1969 from the album Geogaddi, and Pete Standing Alone from the predecessor album Music Has The Right To Children.
The song "Dayvan Cowboy" from The Campfire Headphase was used in an episode of CSI:Miami.
The songs "Turquoise Hexagon Sun", "Aquarius", and "Sixtyniner" were used in the dark humour animated series Monkey Dust, which aired on BBC Three from 2003-2005.
David Firth often uses Boards of Canada songs in his animations, notably "Beware the Friendly Stranger," a track from Geogaddi which was the backing to Firth's cartoon series Salad Fingers.
Adult Swim on Cartoon Network sometimes uses samples from Campfire Headphase for its interstitial.
* Warp Records
* Hexagon Sun Collective
ReferencesThis text has been derived from Boards of Canada on Wikipedia and is licensed under the Creative Commons Attribution/Share-Alike License 3.0