Souls Alike is the fifteenth album by Bonnie Raitt, released in 2005 (see 2005 in music).
*Bonnie Raitt - Acoustic guitar, Vocals, Slide Guitar
*David Batteau - Guitar
*Jon Cleary - Piano, Rhythm Guitar, Hammond Organ, Background Vocals, Wurlitzer
*Mitchell Froom - Hammond Organ, Fender Rhodes, Orchestration, Wurlitzer, Mini Moog, Dolceola
*James "Hutch" Hutchinson - Bass Guitar
*Ricky Fataar - Percussion, Drums
*George Marinelli - Acoustic Guitar, Electric Guitar, Background Vocals
*Maia Sharp - Baritone Saxophone, Tenor Saxophone, Background Vocals
*Sweet Pea Atkinson - Background Vocals
*Arnold McCuller - Background Vocals
*John Capek - Loops
*Bonnie Raitt - Producer
*Tchad Blake - Producer, Engineer, Mixing
*David Boucher - Engineer
*Kevin Dean - Assistant
*Ryan Doordan - Assistant
*Sam Jones - Photography
*Kathy Kane - Project Coordinator
*Kate Lindsay - Stylist
*Bob Ludwig - Mastering
*Norman Moore - Art Direction, Design, Photography
*Michael Rodriguez - Engineer
*Joanna Schlip - Make-Up
*Scott Wiley - Assistant
Category:Bonnie Raitt albums
Category:Albums produced by Tchad Blake
Category:Capitol Records albums
nl:Souls AlikeThis text has been derived from Souls Alike on Wikipedia and is licensed under the Creative Commons Attribution/Share-Alike License 3.0
Bonnie Lynn Raitt (born November 8, 1949) is an American blues singer-songwriter, born in Burbank, California. During the 1970s, Raitt released a series of acclaimed roots-influenced albums which incorporated elements of blues, rock, folk and country, but she is perhaps best known for her more commercially accessible recordings in the 1990s including "Nick of Time", "Something to Talk About", "Love Sneakin' Up on You", and the slow ballad "I Can't Make You Love Me". Raitt has received nine Grammy Awards in her career and is a lifelong political activist.
Raitt, the daughter of Broadway musical star John Raitt and his first wife, pianist Marjorie Haydock, began playing guitar at an early age, something few of her high school female friends did. Later she would become famous for her bottleneck-style guitar playing. "I had played a little at school and at camp", she later recalled in a July 2002 interview. The camp Raitt refers to is Camp Regis-Applejack, located in the heart of the Adirondacks.
:My parents would drag me out to perform for my family, like all parents do, but it was a hobby—nothing more... I think people must wonder how a white girl like me became a blues guitarist. The truth is, I never intended to do this for a living. I grew up... in a Quaker family, and for me being Quaker was a political calling rather than a religious one.
In 1967, Raitt entered Harvard's Radcliffe College as a freshman, majoring in African Studies. "My plan was to travel to Tanzania, where President Julius Nyerere was creating a government based on democracy and socialism", Raitt recalled. "I wanted to help undo the damage that Western colonialism had done to native cultures around the world. Cambridge was a hotbed of this kind of thinking, and I was thrilled."
One day, Raitt was told by a friend that blues promoter Dick Waterman was giving an interview at WHRB, Harvard's college radio station. An important figure in the blues revival of the 1960s, Waterman was also a resident of Cambridge. Raitt went to see Waterman, and the two soon became friends, "much to the chagrin of my parents, who didn't expect their freshman daughter to be running around with 65-year-old bluesmen," recalled Raitt. "I was amazed by his passion for the music and the integrity with which he managed the musicians."
During Raitt's sophomore year, Waterman relocated to Philadelphia, and a number of local musicians he counted among his friends went with him. Raitt had become a strong part of that community, recalling that "... these people had become my friends, my mentors, and though I had every intention of graduating, I decided to take the semester off and move to Philadelphia .... It was an opportunity that young white girls just don't get, and as it turns out, an opportunity that changed everything."
By now, Raitt was also playing folk and rhythm and blues clubs in the Boston area, performing alongside established blues legends such as Howlin' Wolf, Sippie Wallace, and Mississippi Fred McDowell, all of whom she met through Waterman.
Signing with Warner Bros.
In the fall of 1970, while opening for McDowell at the Gaslight Cafe in New York, she was seen by a reporter from Newsweek Magazine, who began to spread word of her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer with Warner Bros. who soon released her debut album, Bonnie Raitt, in 1971. The album was warmly received by the music press, many of whom praised her skills as an interpreter and as a bottleneck guitarist; at the time, very few women in popular music had strong reputations as guitarists.
While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal acclaim; though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales.
Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone Magazine, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate.
In 1976, Raitt made an appearance on Warren Zevon's eponymous album with his friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks.
Bonnie Raitt2.jpgthumb230pxBerkeley Community Theater, 1976-1977
1977's Sweet Forgiveness gave Raitt her first commercial breakthrough when it yielded a hit single in her cover of Del Shannon's "Runaway." Recast as a heavy R&B recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics, but its commercial success prompted a bidding war between Warner Bros. and Columbia Records. "There was this big Columbia – Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia — no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."
Warner Bros. held higher expectations for Raitt's next album, 1979's The Glow, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five MUSE (Musicians United for Safe Energy) concerts at Madison Square Garden. The shows spawned a three-record gold album as well as a Warner Bros. feature film, No Nukes. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, The Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others.
For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records, but to her surprise, many of her peers and members of the press would compare her new sound to the burgeoning New Wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Bros.
Drop from Warner Bros.
In 1983, as Raitt was finishing work on her follow-up album, titled Tongue & Groove, Warner Bros. cleaned house, dropping a number of major artists from their roster. Van Morrison and Arlo Guthrie were two of the most high-profile cases, and the day after mastering was completed on Tongue & Groove, Raitt was notified that she was to be dropped too. The album was shelved indefinitely, and Raitt was left without a label. By now, Raitt was also struggling with alcohol and drug abuse.
Despite her personal and professional problems, Raitt continued to tour and participate in political activism. In 1985, she sang and appeared in the video of "Sun City", the anti-apartheid record written and produced by Steven Van Zandt. Along with her participation in Farm Aid and Amnesty International concerts, Raitt would later travel to Moscow in 1987 as part of the first joint Soviet/American Peace Concert later shown on Showtime television. Also in 1987, Raitt would organize a benefit in Los Angeles, for Countdown '87 to Stop Contra Aid, featuring herself, Don Henley, Herbie Hancock, Holly Near and others.
Tongue and Groove's name change and release
Bonnie Raitt.jpgthumbrightBonnie Raitt at 1990 Grammy Awards
Two years after dropping her from their label, Warner Bros. notified Raitt of their plans to release Tongue & Groove. "I said it wasn't really fair", recalled Raitt. "I think at this point they felt kind of bad. I mean, I was out there touring on my savings to keep my name up, and my ability to draw was less and less. So they agreed to let me go in and recut half of it, and that's when it came out as Nine Lives." A critical and commercial disappointment, 1986's Nine Lives would be Raitt's last new recording for Warner Bros.
In late 1987, she joined k.d. lang and Jennifer Warnes as female background vocals for Roy Orbison's television special, Roy Orbison and Friends, A Black and White Night. Following this highly acclaimed broadcast, she began working on new material. By now, Raitt was clean and sober, having broken her substance abuse — for which she would credit Stevie Ray Vaughan in a Minnesota State Fair concert
the night after Vaughan's 1990 death. During this time, Raitt considered signing with Prince's own label, Paisley Park, but negotiations would ultimately fall through. Instead she began recording a bluesy mix of pop and rock under the production guidance of Don Was at Capitol Records.
Raitt had met Was through Hal Wilner, who was putting together Stay Awake, a tribute album to Disney music for A&M. Was and Wilner both wanted Raitt to sing lead on an adult-contemporary arrangement created by Was for "Baby Mine", the lullaby from Dumbo. Raitt was very pleased with the sessions, and she asked Don to produce her next album.
Peak commercial success
After nearly twenty years, Bonnie Raitt achieved belated commercial success with her tenth album, Nick of Time. Released in the spring of 1989, Nick Of Time went to the top of the U.S. charts following Raitt's Grammy sweep in early 1990. At the same time, she walked away with a fourth Grammy Award for her duet "In the Mood" with John Lee Hooker on his album The Healer. Nick of Time (album) was also the first of many of her recordings to feature her longtime rhythm section of Ricky Fataar and James "Hutch" Hutchinson (Although previously Fataar had played on her Green Light album and Hutchinson had worked on Nine Lives). Nick Of Time has sold over six million copies in the US alone.
She followed up this success with three more Grammy Awards for her 1991 album, Luck of the Draw which has currently sold nearly 8 million copies in the United States. Three years later, in 1994, she added two more Grammys with her album Longing In Their Hearts, her second no. 1 album. Both of these albums were multi-platinum successes. Raitt's collaboration with Was would amicably come to an end with 1995's live release, Road Tested. Released to solid reviews, it sold well enough to be certified gold.
For her next studio album, Raitt hired Mitchell Froom and Tchad Blake as her producers. "I loved working with Don Was but I wanted to give myself and my fans a stretch and do something different", Raitt said. Her work with Froom and Blake was released on Fundamental in 1998.
In March 2000, Raitt was inducted into the Rock and Roll Hall of Fame.
Silver Lining was released in 2002 while Souls Alike was released in September 2005.
Australian Country Music Artist Graeme Connors has said, "Bonnie Raitt does something with a lyric no one else can do; she bends it and twists it right into your heart." (ABC Radio NSW Australia interview with Interviewer Chris Coleman on 18 January 2007)
In 2007, she accepted an invitation to contribute to Goin' Home: A Tribute to Fats Domino. With Jon Cleary, she sang a medley of "I'm in Love Again" and "All by Myself".
Raitt appeared on the June 7, 2008 broadcast of Garrison Keillor's radio program "A Prairie Home Companion". She performed two blues songs with Kevin "Keb' Mo'" Moore: "No Getting Over You" and "There Ain't Nothin' in Ramblin'." Raitt also sang "Dimming of the Day" with Richard Thompson. The show is archived on the Prairie Home Companion web site.
Raitt's web site urges fans to learn more about preserving the environment. She was a founding member of Musicians United for Safe Energy.
In 1994 at the urging of Dick Waterman, Raitt funded the replacement of a headstone for one of her mentors, Fred McDowell through the Mt. Zion Memorial Fund. Raitt would later finance memorial headstones in Mississippi for Memphis Minnie, Sam Chatmon, and Tommy Johnson through the Mt. Zion Fund.
Bonnie Raitt is a staunch liberal. In July 2004, she drew thunderous applause at the Stockholm Jazz Festival for dedicating a classic to sitting (and later re-elected) U.S. President George W. Bush. She was quoted as saying, "We're gonna sing this for George Bush because he's out of here, people!" before she launched into the opening licks of "Your Good Thing (Is About to End)", a cover that was featured on her 1979 album The Glow.
In 2002, she signed on as an official supporter of Little Kids Rock, a nonprofit organization that provides free musical instruments and free lessons to children in public schools throughout the U.S.A. She has visited children in the program and sits on the organization's board of directors as an honorary member.
Raitt worked with Reverb, a non-profit environmental organization, for her 2005 Fall/Winter and 2006 Spring/Summer/Fall tours.
Raitt is part of the No Nukes group which is against the expansion of nuclear power. In 2007 the group recorded a music video of a new version of the Buffalo Springfield song "For What It's Worth".
During the 2008 Democratic primary campaign Raitt, along with Jackson Browne and bassist James "Hutch" Hutchinson, performed at campaign appearances for candidate John Edwards.
Raitt and actor Michael O'Keefe married on April 27, 1991, and announced their divorce on November 9, 1999.
ReferencesThis text has been derived from Bonnie Raitt on Wikipedia and is licensed under the Creative Commons Attribution/Share-Alike License 3.0