A Hundred Days Off is a 2002 (see 2002 in music) album by Underworld. The album produced two UK Singles Chart entries: "Two Months Off", which reached no. 12 and "Dinosaur Adventure 3D", which reached no. 34. Although this was the first album since Darren Emerson's departure from the group in 2001, the album is not a huge stylistic makeover as the focus is still techno, although without the thumping beats that defined their previous longplayer Beaucoup Fish.
As with any Underworld album, the songs are generally long (over five minutes in length) and full of synthesizers, drum machines and stream-of-consciousness poetry sung/spoken over the beats. The album is considered to be less aggressive than their previous album, Beaucoup Fish, often more open to ambient music and lounge music aesthetics than solely techno music.This text has been derived from A Hundred Days Off on Wikipedia and is licensed under the Creative Commons Attribution/Share-Alike License 3.0
Underworld are a British electronic group, and principal name under which duo Karl Hyde and Rick Smith have recorded together since 1980."", The Independent, 19 November 2006
Early years: 1979–1986
Hyde and Smith began their musical partnership with the Kraftwerk and reggae-inspired sounds of The Screen Gemz while working together in a diner in the city of Cardiff, where both had been studying. They were then joined by bass player Alfie Thomas, drummer Bryn Burrows, and keyboardist John Warwicker and formed a proto-electroclash/new romantic band whose name was a graphic squiggle, which was subsequently given the pronunciation Freur. The band signed to CBS Records, and went on to release the albums Doot-Doot in 1983, and Get Us out of Here in 1986. The band disbanded in 1986.
Underworld Mk1: 1987–1990
In 1987 Hyde, Smith, Thomas, Burrows and bass player Baz Allen formed the band Underworld which tried a more guitar-oriented funky electropop sound. The band signed to Sire Records and released the album Underneath the Radar in 1988, and following the departure of Burrows the album Change the Weather in 1989. This version of the band disbanded in 1990. (The Underworld of this period is now often referred to as "Underworld Mk1".)
Darren Emerson joins the duo: 1991–1994
After a break (to concentrate on, among other things, art/design project Tomato), Hyde and Smith recruited Essex DJ Darren Emerson, and after several minor releases and remixes as Lemon Interupt and Steppin' Razor readopted the Underworld moniker. They produced danceable techno as a trio ("Underworld Mk2").
The addition of Emerson completed Underworld's techno/rock fusion and seemed to moderate some of the poppier elements in the original duo's work. Their first album, dubnobasswithmyheadman, was considered more accessible than the group's earlier material and crossed a large spectrum of dance music. The signature Hyde lyrics were in place: poetic, hypnotic and whispered; mixing conventional songwriting with the use of found material from overheard conversations, answering machine recordings and the like. Hyde had been the lead singer in Underworld Mk1. But the original Hyde/Smith dance material was lyric-free as was most of the electronic music emerging from the aftermath of acid house.
Trainspotting breakthrough: 1995–1997
The band's 1996 album, Second Toughest In The Infants, was their second studio album with Emerson and achieved a degree of commercial success, due in part to its release coinciding with that of the film Trainspotting. The film featured "Dark & Long (Dark Train)", as well as the band's most commercially successful track to date, "Born Slippy NUXX", which was originally released only as a B-side of a single and does not appear on the Second Toughest album. Both the single and the album showed Underworld maturing as a trio, mixing elements of techno, house, drum and bass and pop music to spectacular effect. The unusual name of the album as released derives from a comment made by Smith's six-year old nephew Simon Prosser when asked on his progress at school.
"Born Slippy .NUXX" is one of Underworld's best-known tracks, and is celebrated as one of the greatest dance tracks of the decade. It was originally released in 1995 as a b-side to "Born Slippy", but failed to catch on until it was included in Trainspotting. The track has since sold over a million copies, and appeared on countless compilations, mashups, and remixes.
Beaucoup Fish era: 1998–2001
After the release of fifth studio album Beaucoup Fish in 1999, Hyde declared in his interviews that he had sorted out earlier problems with alcoholism but all the members admitted that the sessions had been fraught with problems, with the individual members working in their own studios and only communicating via mixes of the raw material passed back and forth on DAT. After the release of the album a large number of mixes of the album tracks seemed to surface on singles, magazine promotional CDs and similar ephemeral formats perhaps indicating the number of revisions the tracks had gone through to get to the point where they were acceptable to all three. The album's name derives from a sample of a Cajun fisherman in Louisiana on the track "Jumbo". The band originally wanted to call the album Tonight, Matthew, I'm going to be Underworld (a catchphrase used by contestants on the UK ITV programme Stars in Their Eyes), but were persuaded by their record company, Junior Boy's Own, that the name would not be easily understood outside the UK. Finally, after all the singles had been released, a boxset, Beaucoup Fish Singles, which was a retrospective of all 4 singles came out.
Underworld embarked on a spirited and well-received tour in 1999, which resulted in a live CD and DVD drawn from several dates on the tour. Called Everything, Everything, the project captured the live Underworld experience very faithfully. A companion DVD was released separately soon after the album's release. The DVD features live footage of the band mixed with videography and artistic effects by the design group Tomato. The DVD also features several songs not on the album: "Moaner", "Puppies", "Kittens", and "Rowla". The disco scene in Vanilla Sky features Underworld's 1993 hit "Rez".
Back to a duo: 2002–2003
After the release and promotion of Everything, Everything, Emerson decided to leave Underworld to focus on his solo projects and record label. Hyde and Smith decided to continue, once again, as a duo. They recorded a new album, A Hundred Days Off, released to general approval. Despite its status as the band's first studio album since Emerson's departure, its general sound and feel was, perhaps surprisingly for many Underworld fans, not completely dissimilar to the previous albums on which Emerson had had input.
A 2 disc anthology was released in 2003, called 1992-2002, which covered the previous Underworld MK2 to Underworld MK3 era. This was the first appearance on an album of previously unavailable single tracks and B-Sides, such as "Bigmouth", "Spikee", "Dirty", and "8 Ball".
The RiverRun Project and soundtracks: 2004–2006
While touring in the summer and fall of 2005, the duo was joined on stage by Darren Price, a DJ and producer well known by the band who had remixed Underworld releases in the past. During their tour, they released a 3xCD set called Live in Tokyo, which was sold after the concert in Japan. Copies were also later sold online.
In late 2005 they released two compilations of new songs with accompanying photographs on , Lovely Broken Thing and Pizza for Eggs. These were only released online, with no physical release (except for a promo CD).
On June 5, 2006, they released their third instalment in the Riverrun series, I'm a Big Sister, and I'm a Girl, and I'm a Princess, and This Is My Horse.
On July 10, 2006, they released a special retrospective mix, called The Misterons Mix, which is composed of tracks from the three previous Riverrun releases. This was an exclusive free download for those customers that had purchased all three previous Riverrun releases.
In September 2006, Underworld released five limited edition (10,000 copies each) 12" vinyl releases, containing remixes of various Riverrun tracks. These tracks were also made available for purchase by digital download on the Beatport website.
In 2006, Underworld and Gabriel Yared composed the music score to Anthony Minghella's film Breaking and Entering. The soundtrack was released in the UK on November 6, and in the USA on December 5.
Oblivion with Bells: 2007–2009
Underworld's seventh studio album, Oblivion with Bells, was released on October 16, 2007. The first single from the new album, "Crocodile", was released on September 5, 2007. U2's drummer Larry Mullen Jr helped out on the track Boy, Boy, Boy.
Underworld completed the soundtrack to the Danny Boyle film, Sunshine, in late 2006. Well over a year after the film's release, the official soundtrack was released on iTunes on November 25, 2008. The soundtrack is a collaboration with composer John Murphy.
On June 16, 2007, Underworld were forced to cancel their show at the Ejekt Festival in Athens, Greece. Approximately 30 masked Greek anarchists stormed the stadium while the Beastie Boys were performing. Rick Smith was one of the people injured in the ensuing violence, and he was taken to a nearby Athens hospital for treatment.
On October 19, 2007, Underworld cancelled the remaining dates of their European tour due to illness in the band. The tour was picked up again on January 28, 2008, with a concert in Cologne, followed by 16 dates in Europe, including some festivals.
On August 8, 2008, Underworld appeared at the All Points West Music & Arts Festival festival in Liberty State Park, New Jersey. Radiohead dedicated their final song "Everything in its Right Place" to Underworld with a special remix.
Karl Hyde appeared with Brian Eno on the final day of the Eno curated Luminous Festival at Sydney Opera House. "Pure Scenius" consisted of three live improvised performances on the same day, featuring Eno, Hyde, Australian improv trio The Necks, electronic artist Jon Hopkins and guitarist Leo Abrahams.
Underworld has released two new series via their underworldlive.com site, in mp3 and WAV formats. The tracks are 020202, and the phonestrap/autotrader series.
On July 3, 2009, Underworld debuted a new song tentatively titled "Between Stars" at the Montreux Jazz Festival. Shortly before that, a post was made on the band's diary page showing a piece of paper with the song's first verse on it.
On August 8, 2009, a show at Los Angeles' Forum was canceled in circumstances eerily similar to those that led to the group canceling the show in Athens 2 years prior. Some of the crowd were climbing down the seats and onto the main floor, a potential safety hazard. The group apologized on their website for having the show called off.
On 8 March 2010 Mark Knight and D. Ramirez released the single 'Downpipe', which featured vocal contributions from Underworld's Karl Hyde. The song, released on Mark Knight's Toolroom Records label, has a music video featuring the "Playhouse", a lighting setup on Liberty Hall, the tallest building in Dublin.
On May 13, 2010, the band released a track called "Scribble" for download on the band's site. The track shares elements with "You Do Scribble", an unreleased song which they featured many times since 2005 in their live performance shows. The track is made in collaboration with High Contrast, a drum and bass DJ from Cardiff. On May 14, the full version of "Scribble" was featured on Pete Tong's Radio 1 radio show, declaring it as Essential New Tune of the week. The group also released a video clip for "Scribble" on YouTube. It has been commercially released on June 28 as the lead single from their latest album.
On June 7, 2010, Underworld announced the details of their eighth studio album, Barking, which was released on September 13, 2010 in the UK. The album features collaborations with German trance producer Paul van Dyk and British house artists Mark Knight and D. Ramirez, among others.
In December 2010 it was announced that Underworld will be reuniting with Trainspotting director Danny Boyle to write the musical score for his production of Frankenstein at the Royal National Theatre. The production was broadcast as a part of National Theatre Live on the 17 March 2011, with an imminent soundtrack release announced on Underworld's website on March 2, 2010.
In February 2011 Underworld confirmed that they will be playing a huge London summer show on Saturday 27th August on Clapham Common as headliners of South West Four.
In 2008 the band participated in an album called Songs for Tibet, "to express our support for the Tibetan people... at a time when the eyes of the world are on China". The album was issued on August 5 via iTunes and on August 19 in music stores around the world.E-Online (July 22, 2008)
* Underneath the Radar (1988)
* Change the Weather (1989)
* Dubnobasswithmyheadman (1994)
* Second Toughest in the Infants (1996)
* Beaucoup Fish (1999)
* A Hundred Days Off (2002)
* Oblivion with Bells (2007)
* Barking (2010)
Remixes by Underworld (Darren Emerson, Rick Smith, Karl Hyde)
For a complete list of the remixography, see Underworld discography.
Remixes in the Lemon Interupt/Steppin' Razor period included such varying acts as Shakespears Sister, Saint Etienne, Björk and Simply Red.
Hottest 100 of all time
In 2009 "Born Slippy .NUXX" came in at #65 in Triple J's Hottest 100 Of All Time, voted by the Australian public. The song is listed as "Born Slippy" but it refers to "Born Slippy .NUXX", as is explained on the blurb of the song at
* Karl Hyde (b. 10 May 1957, Worcester) - vocals, guitars (1986–present)
* Rick Smith (b. Richard Smith, 25 May 1959, Ammanford, Wales) - keyboards (1986–present)
* Darren Price - keyboards, mixing and live assistant (2005–present)
* Darren Emerson (b. 30 April 1971, Hornchurch, Essex) - keyboards and mixing (1991–2000)
* Alfie Thomas - guitar (1986–1990) (also in Freur)
* Bryn Burrows - drums (1986–1988) (also in Freur)
* Baz Allen - bass (1986–1990)
* Pascal Consoli - drums (1989–1990)
* Tomato (company)
ReferencesThis text has been derived from Underworld (band) on Wikipedia and is licensed under the Creative Commons Attribution/Share-Alike License 3.0