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Cash,Johnny - At Folsom Prison
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At Folsom Prison
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1999-10-19
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At Folsom Prison is a live album by Johnny Cash, released on Columbia Records in May 1968. Since his 1955 song "Folsom Prison Blues", Cash had been interested in performing at a prison. His idea was put on hold until 1967, when personnel changes at Columbia Records put Bob Johnston in charge of producing Cash's material. Cash had recently controlled his drug abuse problems, and was looking to turn his career around after several years of limited commercial success. Backed with June Carter, whom he married later that year; Carl Perkins and the Tennessee Three, Cash performed two shows at Folsom State Prison in California on January 13, 1968. The resulting album consisted of 15 tracks from the first show and two tracks from the second.

Despite little initial investment by Columbia, the album was a hit in the United States, reaching number one on the country charts and the top 15 of the national album chart. The lead single from the album, a live version of "Folsom Prison Blues", was a top 40 hit, Cash's first since 1964's "Understand Your Man". At Folsom Prison received good reviews upon its release and the ensuing popularity revitalized Cash's career, leading to the release of a second prison album, At San Quentin. The album was re-released with additional tracks in 1999 and as a three-disc set in 2008.

Background

Cash first took interest in Folsom State Prison while serving in the U.S. Air Force Security Service. In 1953, his unit watched Crane Wilbur's film Inside the Walls of Folsom Prison. The movie inspired Cash to write a song that reflected his perception of prison life. The result was "Folsom Prison Blues", Cash's second single on Sun Records. After its release, the song became popular among inmates, who would sometimes write to Cash, requesting him to perform at their prisons. Cash first answered one of the letters by performing at Huntsville State Prison in 1957.Cash 1976, p. 38 Satisfied by the favorable reception of the concert, he performed at several other prisons, including Folsom in 1966.

A few years after attaining commercial success from songs such as "I Walk the Line", "Understand Your Man", and "Ring of Fire", Cash's popularity waned. This was due in no small part to his increasing dependence on drugs. In 1967, Cash sought help for his escalating drug problems; by the end of the year, his drug use decreased and he sought to turn his career around.Streissguth 2004, p. 37 Concurrently, the country portion of Columbia Records underwent major personnel changes. Frank Jones and Don Law, who had produced several of Cash's albums, were ousted in favor of Bob Johnston, who was known for his erratic behavior and willingness to disagree with studio executives.Streissguth 2004, p. 59 Cash saw this as an opportunity to pitch his idea of recording a live album at a prison; Johnston enthusiastically supported the concept.Cash, Johnny. At Folsom Prison liner notes. Columbia Records, CS–9639, 1968. Johnston called San Quentin State Prison and Folsom, and Folsom was the first to respond.Streissguth 2004, p. 61

Recording

FolsomStatePrison.jpgalt=Photo of walls and guard towers of a prison.rightthumbThe album was recorded at Folsom State Prison in Folsom, California.

On January 10, 1968, Cash and June Carter checked into the El Rancho Motel in Sacramento, California. They were later accompanied by the Tennessee Three, Carl Perkins, The Statler Brothers, Johnny's father Ray Cash and producer Johnston. The performers rehearsed for two days, an uncommon occurrence for them. sometimes with two or more songs being rehearsed concurrently by various combinations of the musicians.Streissguth 2004, p. 65. A fashion show taking place in an adjacent ballroom provided an unneeded distraction, and during the rehearsal sessions on January 12, California governor Ronald Reagan, who was at the hotel for an after-dinner speech, visited the band and offered his encouragement.Govoni 1970, p. 29–30 One of the foci of the sessions was to learn "Greystone Chapel", a song written by inmate Glen Sherley. Sherley recorded a version of the song, which he passed on to Rev. Floyd Gressett, a Ventura, CA pastor who regularly visited inmates at Folsom, via the prison's recreation director.Streissguth 2004, p. 66 On January 13, the group traveled to Folsom, meeting up with Los Angeles Times writer Robert Hilburn and Columbia photographer Jim Marshall, who were paid to document the album for the liner notes.Streissguth 2004, p. 69

Cash decided to hold two performances on January 13, one at 9:40 AM and one at 12:40 PM, in case the first performance was unsatisfactory.Streissguth 2004, p. 63 After an introduction by MC Hugh Cherry, who encouraged the prisoners to "respond" to Cash's performance, Carl Perkins took the stage.Streissguth 2004, p. 80 Perkins performed his hit song "Blue Suede Shoes". Following this song, The Statler Brothers sang their hit "Flowers on the Wall" and the country standard "This Old House".Streissguth 2004, p. 88 Cherry again took the stage and instructed the inmates not to cheer for Cash until he introduced himself; they obliged. Cash opened both shows with a rendition of "Folsom Prison Blues" and the concerts contained many songs about prison, including "The Wall", "Green, Green Grass of Home", and the gallows humor tune "25 Minutes to Go". The singer also included other songs of despair, such as the Merle Travis song "Dark as a Dungeon". Following "Orange Blossom Special", Cash included a few "slow, ballad-type songs", including "Send a Picture of Mother" and "The Long Black Veil", and then followed with three novelty songs from his album Everybody Loves A Nut, "Dirty Old Egg-Sucking Dog", "Flushed from the Bathroom of Your Heart", and "Joe Bean". June Carter joined Cash on stage to perform a pair of duets. After a seven-minute version of a song from his "Blood, Sweat and Tears" album, "The Legend of John Henry's Hammer", Cash took a break and Carter recited a poem.Streissguth 2004, p. 108 Cash ended both concerts with Sherley's "Greystone Chapel". The second concert was not as fruitful as the first; the musicians were fatigued from the earlier show.Streissguth 2004, p. 100 Only two songs from the second concert, "Give My Love to Rose" and "I Got Stripes," made it onto the LP release.

Reception and impact

The album release of At Folsom Prison was prepared in four months. Despite the recent success of "Rosanna's Going Wild", a Cash single released just prior to the Folsom concerts that reached number two on the country charts, Columbia initially invested little into the album or its single "Folsom Prison Blues". This was due partially to Columbia's efforts to promote pop stars instead of country artists.Streissguth 2004, p. 127, 132 Nevertheless, the single charted on the Billboard Hot 100 on May 25, 1968; it also hit the country charts a week later. The single suffered a setback, however, when Robert F. Kennedy was assassinated on June 5, 1968. Radio stations ceased playing the single due to the macabre line: "I shot a man in Reno/Just to watch him die". Reeling in the success prior to the assassination, Columbia demanded that Johnston remix the single with the line removed. Despite protest from Cash, the single was edited and re-released. The new version became a success, hitting number one on the country charts and the top forty on the national charts.Streissguth 2004, p. 137–8 The successful single prompted the album to climb the album charts, eventually reaching number one on the Top Country Albums chart and number thirteen on the Pop Albums chart—the forerunner to the Billboard 200. By August 1968, Folsom had shipped over 300,000 copies; two months later it was certified gold by the Recording Industry Association of America (RIAA) for shipping over 500,000.Streissguth 2004, p. 142

At Folsom Prison received rave reviews upon its release. Al Aronowitz of Life stated that Cash sang the songs like "someone who has grown up believing he is one of the people that these songs are about." For The Village Voice, Ann Fisher wrote that "every cut is special in its own way" and Richard Goldstein noted that the album was "filled with the kind of emotionalism you seldom find in rock." Fredrick E. Danker of Sing Out! praised At Folsom Prison as "an album structured an aural experience for us."

The success of At Folsom Prison revitalized Cash's career; according to Cash, "that's where things really got started for me again". Sun Records re-dubbed Cash's previous B-side "Get Rhythm" with applause similar to Folsom's, and it became successful enough to enter the Hot 100. Cash returned to the prison scene in 1969 when he recorded At San Quentin at San Quentin State Prison. At San Quentin became Cash's first album to hit number one on the Pop chart and produced the number two hit "A Boy Named Sue". The ensuing popularity from the Folsom concert also prompted ABC to give Cash his own television show.Cash & Carr 1997, p. 58

The album was re-released on October 19, 1999 with three extra tracks excluded from the original LP: "Busted", "Joe Bean", and "The Legend of John Henry's Hammer". Stephen Thomas Erlewine of Allmusic praised the new version, calling it "the ideal blend of mythmaking and gritty reality." On May 27, 2003, At Folsom Prison was certified triple platinum by the RIAA for shipping over three million units. Since its release, it has been acknowledged as one of the greatest albums of all time by several sources. In 2003, the album was ranked number 88 on Rolling Stones list of the 500 greatest albums of all time. Also that year, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry. Country Music Television named it the third greatest album in country music in 2006. Blender listed the album as the 63rd greatest American album of all time and as one of the "500 CDs You Must Own". Accessed via webarchive November 8, 2008. In 2006, Time listed it among the 100 greatest albums of all time.

In 2008, Columbia and Legacy Records re-issued At Folsom Prison as a two CD, one DVD set. This so-called "Legacy Edition" contained both concerts uncut and remastered. The included DVD, produced by Bestor Cram and Michael Streissguth of Northern Light Productions, featured pictures and interviews relevant to the concert. Pitchfork Media lauded the collection, claiming that it had "the force of empathic endeavors, as if he were doing penance for his notorious bad habits." Christian Hoard wrote for Rolling Stone that the Legacy edition "makes for an excellent historical document, highlighting Cash's rapport with prison folk."

Credits

*Johnny Cash – vocal, guitar, harmonica

*June Carter – vocal

*Marshall Grant – bass guitar

*W.S. Holland – drums

*Carl Perkins – electric guitar

*Luther Perkins – electric guitar

*The Statler Brothers (Lew DeWitt, Don Reid, Harold Reid, Phil Balsley) – vocals

*Bob Johnston – producer

*Bob Breault, Bill Britain – engineers

*Jim Marshall – photography

;Credited on 1999 re-issue

*Bob Irwin – producer

*Steven Berkowitz – producer, A&R

*Vic Aneseni – mixing

*Howard Fritzson – art direction

*Darcy Proper – mastering

*John Henry Jackson – product manager

*Randall Martin – packaging manager

*Darren Salmieri, Tim Smith – A&R

*Nick Shaffran – consultant

Charts

References

Further reading

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Category:United States National Recording Registry recordings

Category:Albums released in Super Audio

Category:Albums produced by Bob Johnston

Category:English-language live albums

Category:2008 video albums

Category:1968 live albums

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Category:Double live albums

Category:Johnny Cash live albums

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Artist/Band Information

John R. "Johnny" CashAs of early 2010, the of Johnny Cash's sold checks that Cash had signed—and which, according to the item's listing, were "signed using Johnny's legal name, 'John R. Cash'"; JohnnyCash.com (2010). . Retrieved 20 March 2010. (February 26, 1932 – September 12, 2003), born J. R. Cash, was an American singer-songwriter, actor, and author, who has been called one of the most influential musicians of the 20th century.Eugene Register-Guard (2003, 13 September). . Retrieved on 2009-10-20. Although he is primarily remembered as a country music artist, his songs and sound spanned many other genres including rockabilly and rock and roll—especially early in his career—as well as blues, folk, and gospel. This crossover appeal led to Cash being inducted in both the Country Music Hall of Fame and Rock and Roll Hall of Fame. Late in his career, Cash covered songs by several rock artists, among them the industrial rock band Nine Inch NailsD'Angelo J (August 26, 2003). . MTV. Retrieved 2010-01-20.Dowling S (2003). . BBC News. Retrieved 15 March 2010. and the synthpop band Depeche Mode.Jackowiak J (2002). . Splendid Magazine. Retrieved 15 March 2010.Depeche Mode's music has also been categorized as electronic rock; see Burger D (2009). . The Salt Lake Tribune. Retrieved 15 March 2010. Despite their "synthpop" classification, then, Depeche Mode may be placed among the "rock artists" that Cash covered on his American Recordings albums.

Cash was known for his deep, distinctive bass-baritone voice;Although Cash's voice type endured over the years, his timbre changed noticeably: "Through a recording career that stretche back to 1955", Pareles writes, Cash's "bass-baritone voice from gravelly to grave".Urbanski D (2003). . Lake Mary, FL: Relevant Media, p. xiv. for the "boom-chicka-boom" freight train sound of his Tennessee Three backing band; for his rebelliousness,Dickie M (2002). "Hard talk from the God-fearin', pro-metal man in Black". In M Streissguth (Ed.), . Cambridge, MA: Da Capo, pp. 201-205. Original work published 1987.Streissguth M (2006). . Philadelphia: Da Capo, p. 196. coupled with an increasingly somber and humble demeanor;Pareles J (1994). . The New York Times. Retrieved 20 March 2010. for providing free concerts inside prison walls;Fox JA (2005, 17 October). . Baylor University. Retrieved 22 March 2010.Streissguth M (2005). . Cambridge, MA: Da Capo. and for his dark performance clothing, which earned him the nickname "The Man in Black".For Cash, black stage attire was a "symbol of rebellion—against a stagnant status quo, against ... hypocritical houses of God, against people whose minds are closed to others' ideas"; Cash J; Carr P (2003). . San Francisco: HarperCollins, p. 64. He traditionally started his concerts by saying, "Hello, I'm Johnny Cash."Schultz B (2000, 01 July). . Mix. Retrieved 22 March 2010. Schultz refers to this phrase as Cash's "trademark greeting", and places his utterance of this line, on Cash's At Folsom Prison, album "among the most electrifying in the history of concert recording."For additional quotations by Johnny Cash, consult the Johnny Cash page at Wikiquote, and usually following it up with his standard "Folsom Prison Blues."

Much of Cash's music, especially that of his later career, echoed themes of sorrow, moral tribulation and redemption.Mulligan J (2010, 24 February). . entertainment.ie. Retrieved 22 March 2010. His signature songs include "I Walk the Line", "Folsom Prison Blues", "Ring of Fire", "Get Rhythm" and "Man in Black". He also recorded humorous numbers, such as "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson"; as well as railroad songs including "Hey, Porter" and "Rock Island Line".For discussion of, and lyrics to, Cash's songs, see Cusic D (Ed.) (2004). . New York: Thunder's Mouth.

Cash, a devout but troubled Christian,Clapp R (2008). . Louisville, KY: Westminster John Knox, p. xvi.Urbanski (2003). has been characterized as a "lens through which to view American contradictions and challenges."Clapp (2008), p. xviii.Other appraisals of Cash's iconic value have been even bolder. Clapp (2008) writes: "Very few figures in recent history are seen as more representative of American identity as Cash ... His has often been suggested as the face that should be added to the select pantheon on Mt. Rushmore", p. xvi.See also Miller S (2003). . London: Omnibus, p. 227. A Biblical scholar,Last.fm (2010). . Retrieved 2010-01-20.Stoudt C (June 9, 2009). . The Los Angeles Times. Retrieved 2010-01-20.Public Radio Exchange (2010). Retrieved 2010-01-20. he penned a Christian novel entitled Man in White,Cash J (2008). Man in white: A novel about the Apostle Paul. Nashville: Thomas Nelson.BBC News (2003). . Retrieved 2010-01-20. and he made a spoken word recording of the entire New King James Version of the New Testament.Rivkin D (Producer) (2007). Johnny Cash reading the complete New Testament (Deluxe Ed.). Audio recording. Nashville: Thomas Nelson.Morris E (December 24, 2008). . Country Music Television. Retrieved 2010-01-20. Even so, Cash declared that he was "the biggest sinner of them all", and viewed himself overall as a complicated and contradictory man.Urbanski (2003), pp. xx-xxi.For example, Urbanski (2003, p. 39) notes that Cash's habit of performing in black attire began in a church. In the following paragraph, Urbanski (pp. 39-40) quotes Cash (cf. Cash & Carr, 2003, p. 64) as indicating that this habit was partially reflective of Cash's rebellion "against our hypocritical houses of God". Accordingly,Urbanski D (2010). . Relevant Magazine. Retrieved 22 March 2010. According to Urbanski, Cash's self-perception was accurate: "He never intended to be categorized or pigeonholed", and indeed he amassed a "cluster of enigmas" which "was so impenetrably deep that even those closest to him never got to see every part of him". Cash is said to have "contained multitudes", and has been deemed "the philosopher-prince of American country music".Huss J; Werther D (Eds.) (2008). Johnny Cash and philosophy: The burning ring of truth. Chicago: Open Court.Open Court Publishing Company (2007). . Retrieved 22 March 2010.

Personal life

Heritage

Cash learned upon researching his ancestry that he was of Scottish royal descent.Millar, Anna. June 4, 2006.. Scotland on Sunday. Scotsman.com. Retrieved on 2008-12-24. After the opportunity of meeting with former Falkland, Fife laird, Major Michael Crichton-Stuart, he traced the Cash family tree to 11th-century Fife, Scotland.Dalton, Stephanie. January 15, 2006. Scotland on Sunday Scotsman.com. Retrieved 2007-06-28.Cash, John R. with Patrick Carr. (1997) Johnny Cash, the Autobiography. Harper Collins. p. 3. Scotland's Cash Loch bears the name of his family. Though Cash learned he was not of Native American descent, his empathy and compassion for Native Americans was unabated. Such feelings were expressed in several of his songs, including "Apache Tears" and "The Ballad of Ira Hayes", and on his album, Bitter Tears: Ballads of the American Indian.

Early life

Born J. R. Cash in Kingsland, Arkansas,Miller (2003), p. 341. the third of seven children to Ray Cash (13 May 1897, Kingsland, Arkansas – 23 December 1985, Hendersonville, Tennessee) at findagrave.com and Carrie Cloveree Rivers (13 March 1904, Rison, Arkansas – 11 March 1991, Hendersonville, Tennessee). at findagrave.comStreissguth (2005), p. 11. Cash was given the name "J.R." because his parents could not agree on a name, only on initials.

When he enlisted in the United States Air Force, the military would not accept initials as his name, so he adopted John R. Cash as his legal name. In 1955, when signing with Sun Records, he took Johnny Cash as his stage name.

The Cash children were, in order: Roy, Margaret Louise, Jack, J. R., Joanne, Reba and Tommy.. Johnny and June Carter Cash Memorial Website. Retrieved on 2009-01-16.. Harpeth Family Funeral Services. Retrieved on 2009-01-16. His younger brother, Tommy Cash, also became a successful country artist.

In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas. J.R. was working in cotton fields beginning at age five, singing along with his family simultaneously while working. The family farm was flooded on at least two occasions, which later inspired him to write the song "Five Feet High and Rising".Cash, Johnny. Cash: The Autobiography. His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties.

Cash was very close to his older brother, Jack. at findagrave.com In May 1944, Jack was pulled into a whirling head saw in the mill where he worked, and almost cut in two. He suffered for over a week before he died on May 20, 1944, at age 15. Cash often spoke of the horrible guilt he felt over this incident. According to Cash: The Autobiography, his father was away that morning, but he and his mother, and Jack himself, all had premonitions or a sense of foreboding about that day, causing his mother to urge Jack to skip work and go fishing with his brother. Jack insisted on working, as the family needed the money. On his deathbed, Jack said he had visions of heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in heaven.

Cash's early memories were dominated by gospel music and radio. Taught by his mother and a childhood friend, Cash began playing guitar and writing songs as a young boy. In high school he sang on a local radio station; decades later he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music that he heard performed weekly by Dennis Day on the Jack Benny radio program.Gross, Terry. All I Did Was Ask: Conversations with Writers, Actors, Musicians, and Artists.

Cash enlisted in the United States Air Force. After basic training at Lackland Air Force Base and technical training at Brooks Air Force Base, both in San Antonio, Texas, Cash was assigned to a U.S. Air Force Security Service unit, assigned as a code intercept operator for Soviet Army transmissions at Landsberg, Germany "where he created his first band named The Landsberg Barbarians."Malone, Bill, and Judith McCulloh. Stars of Country Music. Chicago: 1975. He was the first radio operator to pick up the news of the death of Joseph Stalin.Miller (2003), p.40 After he was honorably discharged as a sergeant on July 3, 1954, he returned to Texas.

Marriages

On July 18, 1951, while in Air Force training, Cash met 17-year-old Vivian Liberto at a roller skating rink in her native San Antonio. They dated for three weeks, until Cash was deployed to Germany for a three year tour. During that time, the couple exchanged hundreds of pages of love letters.Turner, Steve. (2004) The Man Called Cash: The Life, Love, and Faith of an American Legend. W Publishing Group, pp. 43–44. On August 7, 1954, one month after his discharge, they were married at St. Anne's Catholic church in San Antonio. The ceremony was performed by her uncle, Father Vincent Liberto. They had four daughters: Rosanne, Kathy, Cindy and Tara. Cash's drug and alcohol abuse, constant touring, and affairs with other women, and his close relationship with future wife June Carter, led Liberto to file for divorce in 1966.Turner, Steve. (2004) The Man Called Cash: The Life, Love, and Faith of an American Legend. W Publishing Group, pp. 116–117.

In 1968, 13 years after they first met backstage at the Grand Ole Opry, Cash proposed to June Carter, an established country singer, during a live performance in London, Ontario,Sweeting, Adam (2003-09-12). . The Guardian. Retrieved on 2009-01-26. marrying on March 1, 1968 in Franklin, Kentucky. They had one child together, John Carter Cash (born March 3, 1970). They continued to work together and tour for 35 years, until June Carter died in 2003. Cash died just four months later. Carter co-wrote one of Cash's biggest hits, "Ring of Fire," with singer Merle Kilgore. She and Cash won two Grammy awards for their duets.

Vivian Liberto claims a different version of the origins of "Ring of Fire" in I Walked the Line: My Life with Johnny, stating that Cash gave Carter the credit for monetary reasons.Liberto, I Walked the Line: My Life with Johnny, p. 294.

Career

Early career

In 1954, Cash and Vivian moved to Memphis, Tennessee, where he sold appliances while studying to be a radio announcer. At night he played with guitarist Luther Perkins and bassist Marshall Grant. Perkins and Grant were known as the Tennessee Two. Cash worked up the courage to visit the Sun Records studio, hoping to get a recording contract. After auditioning for Sam Phillips, singing mostly gospel songs, Phillips told him that gospel was unmarketable. It was once rumored that Phillips told Cash to "go home and sin, then come back with a song I can sell," though in a 2002 interview Cash denied that Phillips made any such comment.. Retrieved 2010-02-09. Cash eventually won over the producer with new songs delivered in his early frenetic style. His first recordings at Sun, "Hey Porter" and "Cry! Cry! Cry!", were released in 1955 and met with reasonable success on the country hit parade.

On December 4, 1956, Elvis Presley dropped in on studio owner Sam Phillips to pay a social visit while Carl Perkins was in the studio cutting new tracks, with Jerry Lee Lewis backing him on piano. Cash was also in the studio and the four started an impromptu jam session. Phillips left the tapes running and the recordings, almost half of which were gospel songs, survived and have since been released under the title Million Dollar Quartet.

Cash's next record, "Folsom Prison Blues", made the country Top 5, and "I Walk the Line" became No. 1 on the country charts and entered the pop charts Top 20. "Home of the Blues" followed, recorded in July 1957. That same year Cash became the first Sun artist to release a long-playing album. Although he was Sun's most consistently best-selling and prolific artist at that time, Cash felt constrained by his contract with the small label. Presley had already left Sun, and Phillips was focusing most of his attention and promotion on Lewis. The following year Cash left the label to sign a lucrative offer with Columbia Records, where his single "Don't Take Your Guns to Town" became one of his biggest hits.

In the early 1960s, Cash toured with the Carter Family, which by this time regularly included Mother Maybelle's daughters, Anita, June and Helen. June, whom Cash would eventually marry, later recalled admiring him from afar during these tours. In the 1960s he appeared on Pete Seeger's short lived Rainbow Quest."Pete Seeger's Rainbow Quest" http

He also acted in a 1961 film entitled Five Minutes to Live, later re-released as Door-to-door Maniac. He also wrote and sang the opening theme.

Outlaw image

As his career was taking off in the late 1950s, Cash started drinking heavily and became addicted to amphetamines and barbiturates. For a brief time, he shared an apartment in Nashville with Waylon Jennings, who was heavily addicted to amphetamines. Cash used the uppers to stay awake during tours. Friends joked about his "nervousness" and erratic behavior, many ignoring the warning signs of his worsening drug addiction. In a behind-the-scenes look at The Johnny Cash Show, Cash claims to have "tried every drug there was to try."

Although in many ways spiraling out of control, Cash's frenetic creativity was still delivering hits. His rendition of "Ring of Fire" was a crossover hit, reaching No. 1 on the country charts and entering the Top 20 on the pop charts. The song was written by June Carter and Merle Kilgore. The song was originally performed by Carter's sister, but the signature mariachi-style horn arrangement was provided by Cash, who said that it had come to him in a dream.

In June 1965, his truck caught fire due to an overheated wheel bearing, triggering a forest fire that burned several hundred acres in Los Padres National Forest in California."Major brush fire." Los Angeles Times, June 28, 1965, p. 1."Control of Brush Fire Near; 700 Acres Burned." Los Angeles Times, June 29, 1965, p. 27. When the judge asked Cash why he did it, Cash said, "I didn't do it, my truck did, and it's dead, so you can't question it." The fire destroyed , burning the foliage off three mountains and killing 49 of the refuge's 53 endangered condors. Cash was unrepentant: "I don't care about your damn yellow buzzards." The federal government sued him and was awarded $125,172 ($ in current dollar terms). Cash eventually settled the case and paid $82,001.Williford, Stanley and Howard Hertel. "Singer Johnny Cash Pays $82,000 to U.S. in Fire Case." Los Angeles Times, Jul 3, 1969, p. A3. He said he was the only person ever sued by the government for starting a forest fire.

Although Cash carefully cultivated a romantic outlaw image, he never served a prison sentence. Despite landing in jail seven times for misdemeanors, each stay lasted only a single night. His most infamous run-in with the law occurred while on tour in 1965, when he was arrested by a narcotics squad in El Paso, Texas. The officers suspected that he was smuggling heroin from Mexico, but it was prescription narcotics and amphetamines that the singer had hidden inside his guitar case. Because they were prescription drugs rather than illegal narcotics, he received a suspended sentence.

JohnnyCashJuneCarterCash1969.jpgthumbrightJohnny Cash and his second wife, June Carter

Cash was later arrested on May 11, 1965, in Starkville, Mississippi, for trespassing late at night onto private property to pick flowers. (This incident gave the spark for the song "Starkville City Jail", which he spoke about on his live At San Quentin prison album.)

In the mid 1960s, Cash released a number of concept albums, including Ballads Of the True West (1965), an experimental double record mixing authentic frontier songs with Cash's spoken narration, and Bitter Tears (1964), with songs highlighting the plight of the Native Americans. His drug addiction was at its worst at this point, and his destructive behavior led to a divorce from his first wife and canceled performances.

In 1967, Cash's duet with Carter, "Jackson", won a Grammy Award.

Johnny Cash's final arrest was in Walker County, GA where he was taken in after being involved in a car accident while carrying a bag of prescription pills. Cash attempted to bribe a local deputy, who turned the money down, and then spent the night in a LaFayette, GA jail. The singer was released after a long talk with Sheriff Ralph Jones, who warned him of his dangerous behavior and wasted potential. Johnny credited that experience for saving his life, and he later came back to LaFayette to play a benefit concert that attracted 12,000 people (the city population was less than 9,000 at the time) and raised $75,000 for the high school.

Cash curtailed his use of drugs for several years in 1968, after a spiritual epiphany in the Nickajack Cave, when he attempted to commit suicide while under the heavy influence of drugs. He descended deeper into the cave, trying to lose himself and "just die", when he passed out on the floor. He reported to be exhausted and feeling at the end of his rope when he felt God's presence in his heart and managed to struggle out of the cave (despite the exhaustion) by following a faint light and slight breeze. To him, it was his own rebirth. June, Maybelle, and Ezra Carter moved into Cash's mansion for a month to help him conquer his addiction. Cash proposed onstage to June at a concert at the London Gardens in London, Ontario, Canada on February 22, 1968; the couple married a week later (on March 1) in Franklin, Kentucky. June had agreed to marry Cash after he had 'cleaned up'. He rediscovered his Christian faith, taking an "altar call" in Evangel Temple, a small church in the Nashville area, pastored by Rev. Jimmy Rodgers Snow, son of country music legend Hank Snow.

According to longtime friend Marshall Grant, Cash's 1968 rebirth experience did not result in his completely stopping use of amphetamines. However, in 1970, Cash ended all drug use for a period of seven years. Grant claims that the birth of Cash's son, John Carter Cash, inspired Cash to end his dependence. Cash began using amphetamines again in 1977. By 1983, he was once again addicted, and entered the Betty Ford Clinic in Rancho Mirage, CA for rehabilitation. Cash managed to stay off drugs for several years, but by 1989, he was dependent again and entered Nashville's . In 1992, he entered the in Loma Linda, CA for his final rehabilitation (several months later, his son followed him into this facility for treatment).

Folsom Prison Blues

Cash felt great compassion for prisoners. He began performing concerts at various prisons starting in the late 1950s. His first ever prison concert was held on January 1, 1958 at San Quentin State Prison., These performances led to a pair of highly successful live albums, Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969).

The Folsom Prison record was introduced by a rendition of his classic "Folsom Prison Blues", while the San Quentin record included the crossover hit single "A Boy Named Sue", a Shel Silverstein-penned novelty song that reached No. 1 on the country charts and No. 2 on the U.S. Top Ten pop charts. The AM versions of the latter contained a couple of profanities which were edited out. The modern CD versions are unedited and uncensored and thus also longer than the original vinyl albums, though they still retain the audience reaction overdubs of the originals.

In addition to his performances at U.S. prisons, Cash also performed at the Österåker Prison in Sweden in 1972. The live album På Österåker ("At Österåker") was released in 1973. Between the songs, Cash can be heard speaking Swedish, which was greatly appreciated by the inmates.

"The Man in Black"

Johnny Cash-Nixon.jpgthumb250pxCash advocated prison reform at his July 1972 meeting with United States President Richard Nixon.

From 1969 to 1971, Cash starred in his own television show, The Johnny Cash Show, on the ABC network. The Statler Brothers opened up for him in every episode; the Carter Family and rockabilly legend Carl Perkins were also part of the regular show entourage. However, Cash also enjoyed booking more contemporary performers as guests; such notables included Neil Young, Louis Armstrong, Kenny Rogers and The First Edition (who appeared a record four times on his show), James Taylor, Ray Charles, Eric Clapton (then leading Derek and the Dominos), and Bob Dylan.

Cash had met with Dylan in the mid 1960s and became closer friends when they were neighbors in the late 1960s in Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive Dylan to his audience. Cash sang a duet with Dylan on Dylan's country album Nashville Skyline and also wrote the album's Grammy-winning liner notes.

Another artist who received a major career boost from The Johnny Cash Show was songwriter Kris Kristofferson, who was beginning to make a name for himself as a singer/songwriter. During a live performance of Kristofferson's "Sunday Mornin' Comin' Down", Cash refused to change the lyrics to suit network executives, singing the song with its references to marijuana intact: "On a Sunday morning sidewalk / I'm wishin', Lord, that I was stoned."The Best of the Johnny Cash TV Show 1969–1971, Disc 1 (of 2), Reverse Angle Production, 2007.

By the early 1970s, he had crystallized his public image as "The Man in Black". He regularly performed dressed all in black, wearing a long black knee-length coat. This outfit stood in contrast to the costumes worn by most of the major country acts in his day: rhinestone suit and cowboy boots. In 1971, Cash wrote the song "Man in Black", to help explain his dress code: "We're doing mighty fine I do suppose / In our streak of lightning cars and fancy clothes / But just so we're reminded of the ones who are held back / Up front there ought to be a man in black."

Johnny-Cash 1972.jpgthumb250pxleftCash attired in black performing in Bremen, Northern Germany, in September 1972

He wore black on behalf of the poor and hungry, on behalf of "the prisoner who has long paid for his crime",Cash & Carr (1997), pp. 85-86. and on behalf of those who have been betrayed by age or drugs. "And," Cash added, "with the Vietnam War as painful in my mind as it was in most other Americans', I wore it 'in mournin' for the lives that could have been.' ... Apart from the Vietnam War being over, I don't see much reason to change my position ... The old are still neglected, the poor are still poor, the young are still dying before their time, and we're not making many moves to make things right. There's still plenty of darkness to carry off."

He and his band had initially worn black shirts because that was the only matching color they had among their various outfits. He wore other colors on stage early in his career, but he claimed to like wearing black both on and off stage. He stated that, political reasons aside, he simply liked black as his on-stage color. To this day, the United States Navy's winter blue service uniform is referred to by sailors as "Johnny Cashes", as the uniform's shirt, tie, and trousers are solid black. Navy Times. 2004-10-04.

In the mid 1970s, Cash's popularity and number of hit songs began to decline, but his autobiography (the first of two), titled Man in Black, was published in 1975 and sold 1.3 million copies. A second, Cash: The Autobiography, appeared in 1997. His friendship with Billy Graham led to the production of a film about the life of Jesus, The Gospel Road, which Cash co-wrote and narrated.

He also continued to appear on television, hosting an annual Christmas special on CBS throughout the 1970s. Later television appearances included a role in an episode of Columbo (Swan Song). He also appeared with his wife on an episode of Little House on the Prairie entitled "The Collection" and gave a performance as John Brown in the 1985 American Civil War television mini-series North and South.

He was friendly with every U.S. President starting with Richard Nixon. He was closest with Jimmy Carter, with whom he became close friends. He stated that he found all of them personally charming, noting that this was probably essential to getting oneself elected.

When invited to perform at the White House for the first time in 1972, Richard Nixon's office requested that he play "Okie from Muskogee" (a satirical Merle Haggard song about people who despised youthful drug users and war protesters) and "Welfare Cadillac" (a Guy Drake song which denies the integrity of welfare recipients). Cash declined to play either and instead selected other songs, including "The Ballad of Ira Hayes" (about a brave Native American World War II veteran who was mistreated upon his return to Arizona), and his own compositions, "What is Truth?" and "Man in Black". Cash wrote that the reasons for denying Nixon's song choices were not knowing them and having fairly short notice to rehearse them, rather than any political reason. However, Cash added, even if Nixon's office had given Cash enough time to learn and rehearse the songs, their choice of pieces that conveyed "antihippie and antiblack" sentiments might have backfired.Cash & Carr (2003), p. 212.

Highwaymen

Highwaymen.jpgthumb200pxFrom left to right Kris Kristofferson, Johnny Cash, Waylon Jennings, Willie Nelson, who formed the country music supergroup, The Highwaymen In 1980, Cash became the Country Music Hall of Fame's youngest living inductee at age forty-eight, but during the 1980s his records failed to make a major impact on the country charts, although he continued to tour successfully. In the mid 1980s, he recorded and toured with Waylon Jennings, Willie Nelson, and Kris Kristofferson as The Highwaymen, making two hit albums.

During this period, Cash appeared in a number of television films. In 1981, he starred in The Pride of Jesse Hallam, winning fine reviews for a film that called attention to adult illiteracy. In the same year, Cash appeared as a "very special guest star" in an episode of the Muppet Show. In 1983, he appeared as a heroic sheriff in Murder in Coweta County, based on a real-life Georgia murder case, which co-starred Andy Griffith as his nemesis. Cash had tried for years to make the film, for which he won acclaim.

Cash relapsed into addiction after being administered painkillers for a serious abdominal injury in 1983 caused by an unusual incident in which he was kicked and wounded by an ostrich he kept on his farm..

At a hospital visit in 1988, this time to watch over Waylon Jennings (who was recovering from a heart attack), Jennings suggested that Cash have himself checked into the hospital for his own heart condition. Doctors recommended preventive heart surgery, and Cash underwent double bypass surgery in the same hospital. Both recovered, although Cash refused to use any prescription painkillers, fearing a relapse into dependency. Cash later claimed that during his operation, he had what is called a "near death experience". He said he had visions of Heaven that were so beautiful that he was angry when he woke up alive.

Cash's recording career and his general relationship with the Nashville establishment were at an all-time low in the 1980s. He realized that his record label of nearly 30 years, Columbia, was growing indifferent to him and was not properly marketing him (he was "invisible" during that time, as he said in his autobiography). Cash recorded an intentionally awful song to protest, a self-parody. "Chicken in Black" was about Cash's brain being transplanted into a chicken. Ironically, the song turned out to be a larger commercial success than any of his other recent material. Nevertheless, he was hoping to kill the relationship with the label before they did, and it was not long after "Chicken in Black" that Columbia and Cash parted ways.

In 1986, Cash returned to Sun Studios in Memphis to team up with Roy Orbison, Jerry Lee Lewis, and Carl Perkins to create the album Class of '55. Also in 1986, Cash published his only novel, Man in White, a book about Saul and his conversion to become the Apostle Paul. He also recorded Johnny Cash Reads The Complete New Testament in 1990.

American Recordings

Johnny Cash sings a duet with a Navy lieutenant.jpgthumbJohnny Cash sings a duet with a Navy lieutenant c.1987.

After Columbia Records dropped Cash from his recording contract, he had a short and unsuccessful stint with Mercury Records from 1987 to 1991 (see Johnny Cash discography).

His career was rejuvenated in the 1990s, leading to popularity with an audience not traditionally interested in country music. In 1991, he sang a version of "Man in Black" for the Christian punk band One Bad Pig's album I Scream Sunday. In 1993, he sang "The Wanderer" on U2's album Zooropa. Although no longer sought after by major labels, he was offered a contract with producer Rick Rubin's American Recordings label, better known for rap and hard rock.

Under Rubin's supervision, he recorded American Recordings (1994) in his living room, accompanied only by his Martin dreadnought guitar – one of many Cash played throughout his career.. The album featured covers of contemporary artists selected by Rubin and had much critical and commercial success, winning a Grammy for Best Contemporary Folk Album. Cash wrote that his reception at the 1994 Glastonbury Festival was one of the highlights of his career. This was the beginning of a decade of music industry accolades and commercial success. Cash teamed up with Brooks & Dunn to contribute "Folsom Prison Blues" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization. On the same album, he performed the Bob Dylan favorite "Forever Young".

Cash and his wife appeared on a number of episodes of the television series Dr. Quinn, Medicine Woman starring Jane Seymour. The actress thought so highly of Cash that she later named one of her twin sons after him. He lent his voice for a cameo role in The Simpsons episode "El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)," as the "Space Coyote" that guides Homer Simpson on a spiritual quest. In 1996, Cash enlisted the accompaniment of Tom Petty and the Heartbreakers and released Unchained, which won the Best Country Album Grammy. Believing he did not explain enough of himself in his 1975 autobiography Man in Black, he wrote Cash: The Autobiography in 1997.

Last years and death

In 1997, Cash was diagnosed with the neurodegenerative disease Shy-Drager syndrome, a form of Parkinson's disease. The diagnosis was later altered to autonomic neuropathy associated with diabetes. This illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs. The albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002) contained Cash's response to his illness in the form of songs of a slightly more somber tone than the first two American albums. The video that was released for "Hurt", a cover of the song by Nine Inch Nails, fits Cash's view of his past and feelings of regret. The video for the song, from American IV, is now generally recognized as "his epitaph,"Rolling Stone Magazine, The Rolling Stone Encyclopedia of Rock & Roll, 2004 (bibliographic information is needed for this reference). and received particular critical and popular acclaim.

Cashcartergrab.jpgthumbright

June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record and even performed a couple of surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003 concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:

Cash died of complications from diabetes less than four months after his wife, at 2:00 a.m. CT on September 12, 2003, while hospitalized at Baptist Hospital in Nashville. He was buried next to his wife in Hendersonville Memory Gardens near his home in Hendersonville, Tennessee.

His stepdaughter, Rosie (Nix) Adams and another passenger were found dead on a bus in Montgomery County, Tennessee, on October 24, 2003. It was speculated that the deaths may have been caused by carbon monoxide from the lanterns in the bus. Adams was 45 when she died. She was buried in the Hendersonville Memory Gardens, near her mother and stepfather.

On May 24, 2005, Vivian Liberto, Cash's first wife and the mother of Rosanne Cash and three other daughters, died from surgery to remove lung cancer at the age of 71. It was her daughter Rosanne's 50th birthday.Rosanne Cash, liner notes for Black Cadillac.

In June 2005, his lakeside home on Caudill Drive in Hendersonville was put up for sale by his estate. In January 2006, the house was sold to Bee Gees vocalist Barry Gibb and wife Linda and titled in their Florida limited liability company for $2.3 million. The listing agent was Cash's younger brother, Tommy Cash. The home was destroyed by fire on April 10, 2007.

One of Cash's final collaborations with producer Rick Rubin, entitled American V: A Hundred Highways, was released posthumously on July 4, 2006. The album debuted in the #1 position on the Billboard Top 200 album chart for the week ending July 22, 2006.

On February 26, 2010, what would have been Cash's 78th birthday, the Cash Family, Rick Rubin, and Lost Highway Records released his second posthumous record, entitled American VI: Ain't No Grave, which is currently serving as the theme song for WWE wrestler, The Undertaker.

Legacy

From his early days as a pioneer of rockabilly and rock and roll in the 1950s, to his decades as an international representative of country music, to his resurgence to fame in the 1990s as a living legend and an alternative country icon, Cash influenced countless artists and left a large body of work. Upon his death, Cash was revered by the greatest popular musicians of his time. His rebellious image and often anti-authoritarian stance influenced punk rock. BY JIM DeROGATIS Pop Music Critic, September 14, 2003. Retrieved 2010-02-09. by Matt Cibula, September 15, 2003. Retrieved 2010-02-09.

Among Cash's children, his daughter Rosanne Cash (by first wife Vivian Liberto) and his son John Carter Cash (by June Carter Cash) are notable country-music musicians in their own right.

Cash nurtured and defended artists on the fringes of what was acceptable in country music even while serving as the country music establishment's most visible symbol. At an all-star TNT concert in 1999, a diverse group of artists paid him tribute, including Bob Dylan, Chris Isaak, Wyclef Jean, Norah Jones, Kris Kristofferson, Willie Nelson, Dom DeLuise and U2. Cash himself appeared at the end and performed for the first time in more than a year. Two tribute albums were released shortly before his death; Kindred Spirits contains works from established artists, while Dressed in Black contains works from many lesser-known artists.

In total, he wrote over 1,000 songs and released dozens of albums. A box set titled Unearthed was issued posthumously. It included four CDs of unreleased material recorded with Rubin as well as a Best of Cash on American retrospective CD.

In recognition of his lifelong support of SOS Children's Villages, his family invited friends and fans to donate to that charity in his memory. He had a personal link with the SOS village in Diessen, at the Ammersee Lake in Southern Germany, near where he was stationed as a GI, and also with the SOS village in Barrett Town, by Montego Bay, near his holiday home in Jamaica. at SOS Children's Villages. The Johnny Cash Memorial Fund was founded. at SOS Children's Villages - USA.

In 1999, Cash received the Grammy Lifetime Achievement Award. In 2004, Rolling Stone Magazine ranked Cash #31 on their list of the 100 Greatest Artists of All Time.

In a tribute to Cash after his death, country music singer Gary Allan included the song "Nickajack Cave (Johnny Cash's Redemption)" on his 2005 album entitled Tough All Over. The song chronicles Cash hitting rock bottom and subsequently resurrecting his life and career.

The main street in Hendersonville, Tennessee, Highway 31E, is known as "Johnny Cash Parkway".

The Johnny Cash Museum is located in Hendersonville, Tennessee.

On November 2–4, 2007, the Johnny Cash Flower Pickin' Festival was held in Starkville, Mississippi. Starkville, where Cash was arrested over 40 years earlier and held overnight at the city jail on May 11, 1965, inspired Cash to write the song "Starkville City Jail". The festival, where he was offered a symbolic posthumous pardon, honored Cash's life and music, and was expected to become an annual event.

JC Unit One, Johnny Cash's private tour bus from 1980 until 2003, was put on exhibit at the Rock and Roll Hall of Fame + Museum in 2007. The Cleveland, Ohio museum offers public tours of the bus on a seasonal basis (it is stored during the winter months and not exhibited during those times).

Portrayals

The Canada Trust company used his name and images for their Johnny Cash automatic bank machines during the late 80s and early 90s.

In 1998, country singer Mark Collie portrayed Cash for the first time in a short film, I Still Miss Someone.

Walk the Line, an Academy Award-winning biopic about Cash's life starring Joaquin Phoenix as Johnny and Reese Witherspoon as June (for which she won the 2005 Best Actress Oscar), was released in the United States on November 18, 2005 to considerable commercial success and critical acclaim. Both Phoenix and Witherspoon have won various other awards for their roles, including the Golden Globe for Best Actor in a Musical or Comedy and Best Actress in a Musical or Comedy, respectively. They both performed their own vocals in the film, and Phoenix learned to play guitar for his role as Cash. Phoenix received the Grammy Award for his contributions to the soundtrack. John Carter Cash, the first child of Johnny and June, served as an executive producer on the film.

Ring of Fire, a jukebox musical of the Cash oeuvre, debuted on Broadway on March 12, 2006 at the Ethel Barrymore Theatre, but closed due to harsh reviews and disappointing sales on April 30, 2006.

Million Dollar Quartet, a musical portraying the early Sun recording sessions involving Cash, Elvis Presley, Jerry Lee Lewis, and Carl Perkins, debuted on Broadway on April 11, 2010. Actor Lance Guest portrayed Cash. The musical was nominated for three awards at the 2010 Tony Awards, and won one.

Discography

: See Johnny Cash discography, and Johnny Cash Sun Records discography.

Awards and honors

: For detailed lists of music awards, see List of Johnny Cash awards.

Cash received multiple Country Music Association Awards, Grammys, and other awards, in categories ranging from vocal and spoken performances to album notes and videos.

In a career that spanned almost five decades, Cash was the personification of country music to many people around the world. Cash was a musician who was not tied to a single genre. He recorded songs that could be considered rock and roll, blues, rockabilly, folk, and gospel, and exerted an influence on each of those genres. Moreover, he had the unique distinction among country artists of having "crossed over" late in his career to become popular with an unexpected audience, young indie and alternative rock fans. His diversity was evidenced by his presence in three major music halls of fame: the Nashville Songwriters Hall of Fame (1977), the Country Music Hall of Fame (1980), and the Rock and Roll Hall of Fame (1992). Only thirteen performers are in both of the last two, and only Hank Williams Sr., Jimmie Rodgers, Bob Wills, and Bill Monroe share the honor with Cash of being in all three. However, only Cash was inducted into the Rock and Roll Hall of Fame in the regular manner, unlike the other country members, who were inducted as "early influences." His pioneering contribution to the genre has also been recognized by the Rockabilly Hall of Fame. He received the Kennedy Center Honors in 1996. Cash stated that his induction into the Country Music Hall of Fame, in 1980, was his greatest professional achievement. In 2001, he was awarded the National Medal of Arts. He was nominated for an MTV Video Music Award for best cinematography for "Hurt" and was supposed to appear, but died during the night.

In 2007, Cash was inducted into the Hit Parade Hall of Fame.

Sources

Notes

References

* D'Ambrosio, Antonino (2009). . With Original Art by Shepard Fairey and Photos by Jim Marshall. Perseus Books/Nation Books ISBN 9781568584072

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* Millier, Bill. (retrieved September 7, 2004). . .

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* Streissguth, Michael. , Da Capo Press (2004). ISBN 0-306-81338-6.

* Urbanski, Dave. . New York: Relevant Books. ISBN 0-9729276-7-0.

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* Turner, Steve. . Nashville, W Publishing Group, 2004. (The Authorized Biography).

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Published works

* Cash, Johnny. Man in Black: His Own Story in His Own Words. Grand Rapids: Zondervan, 1975. ISBN 99924-31-58-X.

* Cash, Johnny, with Patrick Carr. Cash: The Autobiography. New York: Harper Collins, 1997. ISBN 0-06-101357-9.

* Cash, Johnny, with June Carter Cash. Love liner notes. New York: Sony, 2000.

* Cash, Johnny, The Man in White, 1986.





This text has been derived from Johnny Cash on Wikipedia and is licensed under the Creative Commons Attribution/Share-Alike License 3.0

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